The New Castle Phonotope

LARP 7020-2022026
Throughout the day, maids, butlers, stable workers sustained the estate through cycles of cleaning, cooking, serving, caring for horses, and maintaining grounds. Their movements carried heat, sound, materials, and labor across interiors, service quarters and stables. After evening gatherings, their footsteps continued through dark hallways as they closed and secured the house, as the rhythms of labor shifted into temporary rest before beginning again at dawn.
Yalei Zhu Xiaoyou Guo
While the DuPont gunpowder mills along the Brandywine River generated heat, force, and mechanical power each day, these industrial energies also extended into the domestic landscape of Bellevue Estate. Here, the household functioned as its own machine, maintained through the repetitive movements of workers whose presence still haunts the site.
Yalei Zhu Xiaoyou Guo
Based on our speculative reimagining of the site’s history, Pete du Pont becomes President of the United States in 1988, transforming Bellevue State Park into a secondary presidential residence. Through speculative soundscape, the project imagines helicopters, motorcades, surveillance systems, protests, and media noise overtaking the estate’s former rhythms of leisure and domestic labor, revealing Bellevue as both a symbol of political power and a haunted Du Pont landscape.
Yalei Zhu Xiaoyou Guo

Our site boundary completes the full circle and contains everything within it, including many smaller sites for exploring overlaps between ecology, economy, politics, and daily habits. Historically, this area includes the Mason–Dixon Line and the Underground Railroad. It includes massive industrial sites such as DuPont, the Port of Wilmington, the Salem Nuclear Power Plant, and the refineries. It includes military sites such as Fort Delaware. It includes numerous marshes and wildlife reserves. It includes both the east and west coasts of the lower Delaware River. It also includes 1209 North Orange Street, Wilmington, a single address that serves as the registered agent for hundreds of thousands of corporations.

Artifacts for Du Pont Empire
Xiaoyou Guo Yalei Zhu
Artifacts for Du Pont Empire
Xiaoyou Guo Yalei Zhu
Daily and yearly cycle of Eleutherian Mills
Xiaoyou Guo Yalei Zhu

This studio looks at the repeating cycles of ecology, economy, and culture that give shape to time and space in a landscape. It proposes sound-based methods to analyze, and design, these cycles and the soundscapes they produce. Throughout the semester, we will use the idea of the phonotope—a sonic space formed by a community over time—to explore past, present, and future experiences of a changing landscape.

Rhythm analysis of the Tide Water Oil Refinery on the scale of 2 decades from 1952 to 1972.
Xuliang (Bruce) Ban Jichu Zhang
Rhythm analysis of the Tide Water Oil Refinery on the scale of one day in 1960s.
Xuliang (Bruce) Ban Jichu Zhang
Constructed in the 1950s, the Tidewater Refinery in Delaware City was one of the most sophisticated industrial monolith in the world. Yet to the surrounding of the refinery, numerous rhythms appear cyclically. Inspired by Henri Lefebvre's method, the drawing is a rhythm analysis exploring monthly cycles around the Delaware City Refinery at 1960s.
Jichu Zhang Xuliang (Bruce) Ban
Photos of the artifact box at the exhibition.
Xuliang (Bruce) Ban Jichu Zhang
The drawing is a second rhythm analysis diagram, exploring annual cycles happening around the Tidewater Refinery in the 1960s. Tidal events, migratory creatures, resident wildlife, and numerous human activities are drawn based on its distance radius to the refinery, which serves as a circle center. The diagram also serve as a composing score for the "haunted phonotope" we produced later in the semester.
Jichu Zhang Xuliang (Bruce) Ban
The artifact box gathers materials we collected throughout the semester regarding the history and alternative future of the Tidewater Refinery. The box is divided into three trays. The bottom tray is a vinyl player, including three records made from acrylic etching and one playing needle made from the tail of a horseshoe crab. The middle tray is a model of four speculated models of toxic terrariums (The ecology within abandoned oil tanks after succession). The top tray includes documents and oil samples.
Jichu Zhang Xuliang (Bruce) Ban
emphemera
Darren Tindall Chesney Floyd
diagram
Darren Tindall Chesney Floyd
model
Darren Tindall Chesney Floyd