This course will question how architects have engaged in visual research of the built environment within the process of architectural design. In particular, we will consider the media and methods architects have used to observe and to record building sites and how visual information has influenced design thinking and informed architectural proposals in the postwar period. The visual material under investigation in this course will include, but is not limited to, photography (aerial, documentary, street, etc.), film, sketches, painting, collage, mapping as well as magazines and advertisements. Additionally, we will consider the physical distance and relationship between the observer and the observed. For example, does the architect observe the site from the air, as a pedestrian, or through a windshield? Do they borrow images or make their own? Are they in search of precise information or are they hoping to uncover the mood or local character? Are they preparing for a commissioned project or are they dreaming of a utopian future? The course is organized into three parts: Part I will concentrate on approaches to visual research and observation in Europe immediately following the Second World War, Part II will focus on the American context and images of postwar consumer culture, and Part III will discuss the rapid evolution of media and architecture in the late 20th century and question the trajectory of the ?post? periods ? post-modern, post-post-modern, post-documentary, post-digital and beyond.
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