Carmen Winant

The Weitzman Department of Fine Arts at the University of Pennsylvania and the Institute of Contemporary Art are pleased to present an artist lecture and presentation with Carmen Winant, whose work utilizes archival and authored photographs to examine feminist care networks, with particular emphasis on intergenerational, multiracial, and sometimes transnational coalition building.

This free public lecture is part of a series that gathers distinguished artists, activists, writers, and disruptors whose work engages with the social and cultural themes of our time.

Carmen Winant is an artist and the Roy Lichtenstein Chair of Studio Art at the Ohio State University. Her work utilizes archival and authored photographs to examine feminist care networks, with particular emphasis on intergenerational, multiracial, and sometimes transnational coalition building. Winant's recent projects have been shown at the Museum of Modern Art, the Whitney Museum of American Art, the Minneapolis Institute of Art, Sculpture Center, Wexner Center of the Arts, ICA Boston, the Cleveland Museum of Art, and el Museo Universitario Arte Contemporáneo. Winant's artist’s books include My Birth (2018), Notes on Fundamental Joy (2019), and Instructional Photography: Learning How To Live Now (2021); Arrangements, A Brand New End: Survival and Its Pictures (both 2022), and The Last Safe Abortion (2024). Her forthcoming book, How We Practice, will be published by Dancing Foxes Press this year. Winant is a 2019 Guggenheim Fellow in photography, a 2020 FCA Artist Honoree and a 2021 American Academy of Arts and Letters award recipient. She is also a community organizer, prison educator, and mother to her two children, Carlo and Rafa, shared with her partner, Luke Stettner.

Registration
Register Link Forthcoming. | Watch the Conversation via Zoom Here.

ICA is committed to creating a welcoming environment for all visitors. For more notes on accessibility including accessible parking nearby visit our Accessibility landing page. If you require any accessibility accommodations or have any questions about the program, please contact Derek Rigby (mrigby@ica.upenn.edu).

In their varied approaches and techniques, these individuals speak to ICA’s ethos of artistic experimentation and practice that engages with the social and cultural themes of our time. As artists, writers, and cultural producers, their artwork and criticism expand across themes of popular culture, queer life, kinship & community, and de/construction through the utilization of sculpture, performance, sound, collage, installation, and more.

In this lecture series, we invite you all to engage in conversation with our participants and become a part of an active dialogue that explores the stake of contemporary art in our society and culture.

Support
The Master of Fine Arts program at Penn is focused on the professional development of visual artists. Through workshops, seminar courses, international residency opportunities and interactions with curators, writers and artists, the program provides an open intellectual framework to foster independent methods of artistic research.

Programming at ICA is made possible in part by the Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Arts and the Lise Spiegel Wilks and Jeffrey Wilks Family Foundation. Public and Student Engagement at ICA is supported by the Bernstein Public Engagement Fund, Suzanne Weiss Doft & Jacob W. Doft, Stacey & Robert Goergen Jr., Hilarie L. & Mitchell Morgan, the Nash Family Foundation, Joline & David Stemerman, and by Dana McDonald Strong & Mark W. Strong.