Catalina Ouyang engages object-making, interdisciplinary environments, and time-based projects to indicate counternarratives around representation and self-definition. Through expansion, fragmentation, and abstraction, their work proposes the body as a politicized landscape subject to partition. Working gnostically with materials ranging from hand-carved wood and stone to appropriated literature and historic artifacts, Ouyang also attends to critical reimaging of historical formation wherein monstrosity, animality, and toxicity act as ciphers for the psycho-affective alienation of the minor subject. Ouyang's work has been the subject of solo and group presentations at Night Gallery (LA), SculptureCenter (NYC), the Aldrich Museum (Ridgefield, CT), Jeffrey Deitch Gallery (NYC and LA), Simon Lee Gallery (London), Asia Art Center (Taipei), and others. Ouyang received an MFA from Yale University and lives and works in New York City.
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