Allison M. Glenn is Associate Curator of Contemporary Art at Crystal Bridges Museum of American Art, where she shapes how outdoor sculpture activates and engages the museum’s 120-acre campus. She was a member of the curatorial team for State of the Art 2020, a quinquennial exhibition that opened simultaneously at the Momentary and Crystal Bridges; and spearheaded the adaptation of Hank Willis Thomas: All Things Being Equal… (2020) at Crystal Bridges, organized by the Portland Art Museum. Prior to this, Glenn was Manager of Publications and Curatorial Associate for Prospect New Orleans’ international art triennial Prospect.4: The Lotus in Spite of the Swamp. Glenn’s writing has been featured in exhibition publications produced by The Los Angeles County Museum of Art, The Kemper Museum of Art, Prospect New Orleans, DePaul Art Museum, Rebuild Foundation, the California African American Museum, University at Buffalo Art Galleries, and The Studio Museum in Harlem. She has contributed to Hyperallergic, ART21 Magazine, ART PAPERS, Pelican Bomb’s Art Review, and Newcity, among others.