Working with materials calibrated to different degrees of transparency - water, light, silkscreen, plexiglass - Jingyi builds installations that negotiate between the visible and the withheld. The interventions are often small: amplifying the slow shift of daylight, inserting a floating line, redirecting a pathway. Through these quiet gestures, she renders the familiar geometry of a room newly negotiable.
For Jingyi, a work remains unfinished until it meets a viewer. Until that moment, it stays open - suspended in uncertainty. She wants that uncertainty to carry through the encounter: for viewers to enter without a script, unsure of what the space asks of them, and to find themselves conscious of what it might mean to move through, or within, a work.
Jingyi received her BFA from Parsons School of Design in 2023 and received an MFA from the University of Pennsylvania.
This work was included in Under Scores, the 2026 Weitzman Fine Arts MFA Thesis Exhibition.