Stuart Weitzman School of Design
102 Meyerson Hall
210 South 34th Street
Philadelphia, PA 19104
From June to August 2025, I participated in an internship at Philadelphia’s Magic Gardens (PMG), an immersive art environment created by Philadelphia artist Isaiah Zagar and now managed by the non-profit PMG organization. Known for its unique artistic atmosphere, PMG is an intricate mosaic landscape that blends sculpture, folk art, and found objects into a richly layered, experiential space.
Over the summer, the task I invested the most time and effort in was producing a high-resolution rectified photograph of the West Wall. This process required integrating field measurement, photographic documentation, and detailed digital processing. Over several weeks, I navigated complex site conditions, including narrow passageways, obstructed views, and changing weather, adapting camera setups and refining shooting strategies to ensure spatial accuracy and image clarity. Completing the rectified photograph was a valuable lesson in persistence and iterative problem-solving.
In the meantime, I contributed to the development of a systematic digital data management workflow. This included designing a structured folder hierarchy and creating an AI-powered metadata automation tool, which significantly streamlined the cataloging of thousands of images. The tool not only embedded detailed descriptions, keywords, and transcribed text into the images but also generated an Excel database with searchable metadata and thumbnails—transforming a time-intensive manual process into an efficient, scalable system.
I also gained hands-on experience with Ground Penetrating Radar (GPR) as part of an initial feasibility study for subsurface investigation at PMG. Although the technology performed more reliably on flat surfaces with a uniform material composition, it proved challenging to apply effectively on PMG’s uneven, vertical mosaic walls. This exploration deepened my understanding of how theoretical potential can be limited by real-world conditions, shaping practical recommendations for future research.
Beyond the core documentation work, I participated in several special on-site activities: learning doily tile making and glass cutting while creating my mosaic piece, conducting field observations of mosaic-covered columns (and even discovering a bird’s nest in a jar), and learning mosaic wall-cleaning techniques. These experiences enriched my appreciation of PMG’s artistic processes and the care involved in maintaining a living art environment.
Throughout the internship, I strengthened my skills in site measurement and photographic documentation, CAD drafting, proficiency in Photoshop, data organization, and metadata automation. I also developed greater adaptability—whether adjusting to unexpected site constraints or rethinking workflows for efficiency. This summer’s work has given me not only a robust set of practical tools but also a deeper understanding of the intersection between preservation, technology, and artistic heritage.